MSU opera has high Juliettitude, low Romeosity
An insidious thought came to me during MSU Opera Theatre’s energetic “Miami Vice” remake of Charles Gounod’s 1867 Shakespearean opera “Romeo et Juliette.” I could flee the hall at halftime — that’s March madness for entr’acte — and walk away whistling the happy marriage duet that ends the opera’s first half. By the time stabbed and poisoned bodies started to pile up on stage, I could have been sipping a latte at Biggby’s while catching up on Kyle Melinn’s column. Even the opera’s doomed lovers agreed to this in principle: Better to slip out of the bedchamber while the nightingale is still singing, before the lark summons the cruel dawn. But I didn’t, and I’m glad. I would have missed the best part of the show.