Russell Crowe plays an older outlaw with different priorities
by James Sanford
Emerald-green tights, sneering sheriffs and damsels-in-distress have no place in director Ridley Scott’s “Robin Hood,” which is the latest in an ever-growing series of epics that “re-imagine” a familiar tale. Brian Helgeland’s screenplay takes Robin — or Robin Longstride, as he is known here — back to his final days in The Crusades and into his first visit to Nottingham, where he will meet many of the characters who will become his band of Merry Men.It’s an idea ripe with possibilities. Unfortunately, it’s also the same idea the creators of the excellent BBC “Robin Hood” series had several years ago, and they had more fun with it. Although Scott’s saga is extremely well-crafted and often exciting, it somehow never quite catches fire to become the pulse-pounding, vigorous romantic adventure it aspires to be.
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