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Wednesday, October 26,2011

Meeting of the (evil) minds

Riverwalk’s ‘Conspiracy’ is a historical horror story

by Mary C. Cusack
As director James W. Houska said in his welcome last Saturday night, “Conspiracy” is not a show to be enjoyed. It is, however, an important event in history that people should experience and talk about, and Riverwalk Theatre’s production provides that opportunity.
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Wednesday, October 19,2011

Pure puffball

Lively actors can’t hide the fact that ‘Odd Couple’ is quaint and antiquated

by Mary C. Cusack
It is interesting that Dowd warms up to the role after doffing the iconic baseball cap, and really hits his stride as Oscar prepares for a double-date with neighbors Gwendolyn and Cecily Pigeon (Charlotte Ruppert and Angela Dill, respectively). As Dowd prances around, slapping on Old Spice and crooning classic love songs, he owns the stage.
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Wednesday, October 12,2011

Chiller theater

Thrilling ‘Terra Nova’ is a true triumph for Riverwalk

by Mary C. Cusack
In 1990 Aussie band The Church released a single called “Terra Nova Cain,” which sounds like just the remedy needed after enduring Riverwalk Theatre’s production of “Terra Nova.” Despite how that sounds, it is a high compliment. Among the finest productions to grace the stage of Riverwalk’s Black Box since its grand opening.
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Wednesday, September 7,2011

Three cheers for ’Heroes’

Stormfield Theatre scores again with ace production of Tom Stoppard’s comedy about World War I vets

by Mary C. Cusack
In its second season, Stormfield Theatre is proving itself to be the little theater that can ' that is, they can produce high-quality shows that so transfix an audience that one easily forgets there is a sports bar to the rear and a Sears across the parking lot.
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Wednesday, July 27,2011

Lukewarm

Fitfully funny ‘Flaming’ doesn’t quite roar

by Mary C. Cusack
While not a flameout, Riverwalk Theatre’s production of “Flaming Idiots” is not quite as funny as it could be. In his directorial debut at Riverwalk, Josh Martin displays skill in staging physical comedy, but his direction of dialogue needs work, as this play relies heavily on equally good timing of both.
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Wednesday, May 25,2011

Advice and consent

Stormfield Theatre’s appealing ’Answers’ presents Ann Landers’ world in a different light

by Mary C. Cusack
“The more things change, the more they stay the same” is one of those truisms that is not always true. And it’s probably something that Eppie Lederer said at some time in the 47 years she wrote as columnist Ann Landers. She was known to drop the occasional cliché or bon mot, to be cute and clever and sometimes a wee bit snarky.
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Wednesday, May 25,2011

’Eleemosynary’: Love is a many splintered thing

Strong acting can’t sustain a murky script in Williamston drama

by Mary C. Cusack
Reading the description of Williamston Theatre’s latest production “Eleemoynary” before heading to the theater, you might wonder if the play will leave you bawling over unresolved mommy issues. In retrospect, that would be a far more rewarding outcome than the way “Eleemosynary” does leave you Review feeling: underwhelmed and unaffected.
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Wednesday, May 18,2011

Peppermint Creek should be proud of its powerful 'Pride'

Potent performances fuel a challenging drama

by Mary C. Cusack
It was apropos that after the opening night performance of Peppermint Creek’s “The Pride,” the New Order song “Bizarre Love Triangle” came on the radio. The combination of characters and settings certainly qualify the relationships in “The Pride” as bizarre love (and lust) triangles.
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Wednesday, April 13,2011

Finding flexibility

Juanita Kennedy discovered a perfect medium for her art: versatile Styrofoam

by Mary C. Cusack
What is the difference between art and craft? Can a craft be honed to the point of becoming art, or is the artist aspect of a work based on ideas more than skill? When debaters tire of arguing over the issue of art vs. craft, the agreement seems to be that art is in the eye of the beholder.
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Wednesday, March 30,2011

'Pentecost' can't decide what to accent

Timely themes are buried inside a confused script

by Mary C. Cusack
Producing quality theater is always a challenge. Academic theater programs have the added challenge of finding a script that meets certain learning outcomes. The play must also be an ensemble piece that has enough roles to give substantial stage time for all of the students in the course, further limiting the script choices.
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