Art by Kimberly Lavon Katalyst Gallery 1214 Turner St, Lansing 10 a.m.-7 p.m. Monday through Friday; 10 a.m.-7:15 p.m. Saturday; noon-5 p.m. Sunday (517) 708-8916 twitter.com/kimberlylavon www.facebook.com/.

Standing in the freezing cold. A mob of 18-year-olds. Being blinded by ridiculously bright spotlights. It was almost worth it to see Cirque Du Womp’s first-ever show in Lansing. Saturday night, The Loft was packed with bright colors, things that glowed, and quite a lot of people; the Facebook event had 758 confirmed guests.

Once the cheers die down and everyone gets a closer look at the annual Academy Award nominations, the questions begin popping up. This year’s crop of nominations, which were announced Tuesday morning, is no exception.

Katalyst Art Gallery in Old Town is showcasing Kimberly Lavon as this month’s featured artist. Lavon’s print collections, “Skeleton Society” and “Animalesque — A Social Commentary,” both touch on the social constraints put on us every day.

Kelly plays a Glissentar, a guitar that snakes through the bendy notes and semitones of Indian music ' or Delta blues, depending on his mood. Bringi thrums his fingers and palms on the mridangam, a cylindrical drum with a face on each end, like a hammerhead shark.

Q: When you gave advice to the woman complaining about her husband surfing the Internet for porn and swimsuit photos of Serena Williams,you seemed to have missed a word in her question. That word is “husband.” I doubt people get married with it being okay for another man or woman to be involved in their marriage. Pornography causes great harm to marriages. It’s not okay. It’s not normal. It’s a selfish and destructive choice.—Appalled Wife

M. L. Liebler says he has a lot of friends. Liebler, who has taught English, labor studies and the art of the working class at Wayne State University for more than 30 years, was not shy in calling upon some of those old acquaintances when he was looking for contributions to “Working Words:...

In a mystical, made-up town, magic manifests from metaphor to material in "Almost, Maine." Filmmaker Nancy Meyers ("It’s Complicated," "The Holiday") would have been proud of John Cariani’s script, which is filled with spontaneous smooches and other expressions of affection.

It would be a sin to give Stormfield Theatre’s production of “Put the Nuns in Charge” a poor review. Not that the Mother Superior said so specifically, but it seems that skewering a oneperson show about a nun giving an earnest lesson in the Seven Deadly Sins would fall under the sin of Pride.

Catch Zoup! at the right time during a lunch rush and you’ll have no problem understanding all those exclamation points, as soupistas shout for steaming pots from the kitchen and a bustling crowd squeezes into a line that stretches from the counter to the door.